Sommaire / Table of Contents: Walter S. Melion: Venus/Venius: On the Artistic Identity of Otto Vaenius and his Doctrine of the Image ; Tina Montone: Cupid in the Ouroboros, the Disconsolate Alembic and Other Matters: The Amorum Emblemata (1608) from a New Perspective ; Stephen Rawles: The Engravings of the Amorum Emblemata; States and Replacements ; Alison Adams: Mens immota manet: An Exploration of an Emblematic Commonplace (Sambucus, Vaenius, etc). ; Simon McKeown: An Unknown English Translation of Otto Vaenius's Historia Septem Infantivm de Lara (British Library, 551.e.9): A Transcription and Introductory Note ; Peter Boot: Similar or Dissimilar Loves ? Amoris Divini Emblemata and its Relation to Amorum Emblemata ; Ralph Dekoninck and Agnès Guiderdoni: Reasoning Pictures: Vaenius's Physicae et Theologicae Conclusiones (1621) ; Andrea Catellani: Emblematic and Graphic Processes in Vaenius's Physicae et Theologicae Conclusiones (1621): Semiotic Observations ; Olga Vassilieva-Codognet: Coining Neo-Stoic Hieroglyphs: From the Brussels Mint to Emblemata sive Symbola ; Sabine Mödersheim: Vaenius in German: Raphael Custo's Emblemata Amoris for Philipp Hainhofer ; Wim van Dongen: In the Bath with Otto: Otto Vaenius's Emblems in Nicolaus Person's Marketing Strategy.
