Emblematic Tendencies in the The Art and Literature of the Twentieth Century

Sommaire / Table of Contents: Roger Paulin: Anthony J. Harper: An Appreciation; Publications of Anthony J. Harper; Anthony J. Harper, Ingrid Höpel and Susan Sirc: Introduction; Ulrich Kuder: Die Wiederkehr des Emblems in der Moderne; Clare A. P. Willsdon: Aspects of Klimt’s Landscapes and the Emblem Tradition; Jochen Becker: Affenhand und Fotoauge: Zu El Lissitzkys Selbstbildnis - Der Konstrukteur (1924); Paulette Choné: 3000 emblèmes d’amour: Krazy Kat de George Herriman (1913-1944); Anthony J. Harper: Notes on Two Emblematic Twentieth-Century Works; Michael Bath: Mobilising the Gap: Hamilton Finlay’s Inheritence; Susan Sirc: A Serious Game with the Art of Memory: Emblematic Tendencies in ‘A Lamia in the Cévennes’ by A. S. Byatt; Ingrid H¶pel: Die Sprache der Dinge — Emblematik und digitale Medienkunst; Laurence Grove: Multi-Media Emblems and their Modern-Day Counterparts